有別於機能的堆疊，「博物館主義 Museumism」中，空間如同一個雕塑品，減去多餘，裸露素白的肌理質感。 以低限度的設計手法，布局 "moment" 於此之間，可視化「力矩」(moment) 與「時」(moment) 之間的關係，曲線理性地於物理空間中、於生活軌跡上交錯、疊合，挖鑿輪廓。
Unlike a stacking of function, space in Museumism becomes a piece of sculpture, stripped of excess, its texture left raw and bare white. A minimal design approach places "moment" within it, visualizing the relationship between "moment" as force and "moment" as time. Curves intersect and overlap rationally in physical space and along the paths of daily life, carving out contours.
With 200 square-meter to utilize a family of three, the layout comprises 50% shared area and 50% private rooms. Backdrops without decorative cladding, curvy and smooth-continuous surfaces slither along walls and area borders, not only indicating spatial identity, but providing both aesthetic and subdivision function. Home is where people share moments with family. Except the unit of time, in physics terms, moment refers to the rotational equivalent of linear force.
With 200 square-meter to utilize a family of three, the layout comprises 50% shared area and 50% private rooms. Backdrops without decorative cladding, curvy and smooth-continuous surfaces slither along walls and area borders, not only indicating spatial identity, but providing both aesthetic and subdivision function. Home is where people share moments with family. Except the unit of time, in physics terms, moment refers to the rotational equivalent of linear force.
光影妝點，時間恍如膨脹其中。
The path of moment defines shapes and explains the topology of spatial forms, concluding with artistic and emotional appeals.
